The project should be the easiest part because most people pick something they are really interested in so they put the effort in. Having said that it's no easy task if you want to score well. Requires extensive reading and ' muckraking' to gather appropriate sources and discuss the issues of historiography. But it's worth it in the end..if you do your work and love the topic!piecheck said:is history ext. as hard as ppl are sayin? whats hared about it? is it the project thats mainly the hard part?
Yeh, like Veridis said towards the end remembering quotes and stuff is easy because you get used to using them. Take it and see how you go. If your doing both modern and ancient it seems like you really like history, so you will find this course really interesting and do well !hopeles5ly said:im startin history ext next week, im kinda afraid that the workload would be too much, just like many of you sed, and that the concept of historiography and not being able to write in a 'narrative form' kinda scares me, for my writin skills are not like band6 material and it hard for me to get my ideas down quickly. but my english teacher, whom teachers modern, ancient and extension history said that ill be fine, as long as i put in the effort and that she'll help me along the way.
hopeles5ly said:the concept of historiography and not being able to write in a 'narrative form' kinda scares meQUOTE]
huh?? What do you mean by narrative form? - i haven't heard anythin about narratives - though ive only just started ext. hist, like yourself.
*Ya_So_CuTe* said:Oops hopeless5ly, do u take both modern and ancient or does your teacher just teach them all? oh well! Put your best effort in from the start and you will reap great dividends at the end
Like bloody Keith Jenkins, I swear he intentionally makes it difficult to understand, not to mention coining new terminology every second sentence.Demandred said:The readings are hard. They are not like text books, these works are like the 'babies' of renowned scholars as they put in so much thought, care and love into their work, they polish their words so much that you need to read over it a couple of times.
White's ideological modes of conservatism, liberalism, radicalism and anarchism become determinate; these, in interpenetrative ways, then attract to them tropological modes of configuration: the tropes of metaphor, metonymy, synecdoche and irony. Subsequently, these themselves interpenetrate with the modes of emplotment — romance, tragedy, comedy and satire — to then interpenetrate with the modes of formist, contextual, mechanical and organic argumentation.