Originally posted by timmii
Talk about how verisimilitude is established with grainy footage, a handheld camera and seemingly behind-the-scenes, exclusive insight into the personal lives, conversations and stories behind the show broadcast each night. The format of a "documentary" of a current affairs program also adds integrity to the perspectives being depicted since it makes it seemmore real and plausible than if the team were to merely just *tell* you what's wrong with current affairs programs.
Talk about methods of portraying "the truth" used both within "frontline" and 'frontline' - since remember, advanced wants to know *how* meaning is conveyed, not only *what* is conveyed.
Good advice.
Incidentally, there's a good quote in the documentary 'Behind The Frontline' about that very issue.
We wanted to make it look like a documentary-Tom Gleisner.
What makes it even more useful/ironic is the line in Playing The Ego Card;
What's vision without a reporter? A documentary., which in itself makes a compelling point about the nature of the media, that they're not reporting the 'truth' many viewers expect and believe, it's instead being manipulated to their expectations of viewer behaviour (As seen in 'We Ain't Got Dames'.).
In discussing the realism of Frontline (Thereby heightening the satire), it's also worth mentioning the extensive use of intertextuality, as seen in the use of real personalities and references to actual programs. (A subtle example of this is seen in 'The Siege', with the Time headline reading "Has The Media Gone Too Far?", a 1992 TV special that was a stimulus for Frontline, in that while promising to question the media, it instead presented the manipulation of 'Truth'. This is also mentioned in 'Behind The Frontline'.)
Although this has been said above in another form, I think the key point of Frontline's 'realism' is that it's a satirical appropriation working on multiple levels to generate meaning, and as such, it highlights this 'truth' to multiple disperate audiences, based not only on their familarity with current affairs programs, but the notion of 'truth' in the abstract, and their inter-relation.
I think that there's a lot of potential supplementary material for this topic, beyond news reports and what-not, if you focus upon 'truth' with the media merely as a front[line] for contemporary discourse. For this reason, I'm personally using writings of Michel Foucault and Edward Said as my supp.texts, commenting not only on 'knowledge' as 'truth', but on the relationship between 'truth' and 'power', theoretically (Foucault), and it's use to subjugate 'other' peoples (Said.). This links quite nicely into 'Smaller Fish To Fry' and the concept of a hierarchy of truth, highlighted by the same arguments being repeated by Farmer, Brian and Mike (Incompetently Almost as good as
Yeah, but what if you multiply that by a million? ). Additionally, this links well into the current coverage of the war in Iraq and whatnot.
And to briefly comment about Frontline on a entertainment level; Does anyone else find it hillarious whenever Mike is shown trying to gauge whether Elliot's songs are funny, followed by his usual comically overdone reaction? I think it's great.. [Even when I've seen the episodes multiple times, I can't help but laugh.]
Ha-ha, he's done it again.. He's a national treasure.