Hi guys i need some help. If we get 2 essay questions in the paper one will ask us to talk about Crime Fiction whereas the other to talk about Genre.
The first should have us reffering to our texts in order to assert how they have conformed or subverted the conventions of the CF genre. Then we should talk about the vehicle of CF allowing other focii to be explored due to the use (or rejection) of these conventions. This focus is ussually on the society depicted in the text or at least elements of society. (am i right here, what else could it be on?) So i think we need to talk about the CF Genre and its conventions that are used to portray a society???
Assuming this is correct though i am faced with a problem when moving on to the second question which is focused on Genre as a whole.
If faced with a question similar to the CSHAA (I think) trial : Discuss the Validity of Genre, then my plan of attack (from a CF perspective [is it wrong to focus on it from this way] would revolve around the idea that the validity of genre cant be ensured due to the ever changing nature of its conventions and rules. I go on to elaborate that this constant change or adaption is caused by the genre's need to avoid "literary stagnancy" and also appeal to an audience of a modern context. I talk about the following ideas:
-Dupin and Holmes as the first detectives. How their use of logic and reasoning reflected the victorian belief's of the era: that logic, deduction and science could solve problems.
-The development of this style into Christie's Cosi school; the creation of middle class "Closed World" societies upset by and outsider very much reflects both her own middle class belief's but also those of the context of early 20th century Britain (where the books were written). Connect to The Real Inspector Hounds subversion of these values.
-The emergence of Hard Boiled crime fiction to portray an American society rife with Capitalistic intentions and Organised crime in early 20th century America. Having the moral knight in shining armour walking the streets as the lone resistance to corruption. Talk about The Big Sleep and Marlowe.
-Connect to Film Noir, constructed in the era of both world wars and the depression which gives the texts their cynical, dark and shadowy feel.
-Talk about emergence of Black, female detectives as society progresses into post-modern, equality views relate to Smilla's Feeling For Snow.
So in essence I'm saying the constant change in society and the need of Genre to continue adapting to that society means that Genre as a concept can never be completely valid although the adaptions will share some common elements. (is this ok?)
Thats the essay plan but the problem is this. If we get a question based around society in Q1 as i believe we will, wont the fact that i am focussing Q2 on society mean that i should just get out the carbon paper to save myself regurgitating the same essay twice? I'm hoping that Q1's focus on the society within the text distinguishes it from Q2's discussion of external society, but i still think there are some very common links between the two. The only difference I can see is that in Q1 i will be focussing on the texts in alot more depth while in Q2 they will only be used to back up my argument on Genre.
The jist of my question is, can I write the essay that i just out lined above for Q2 and then talk about similar concerns with society in Q1 (albeit within the text and with a greater focus on the texts rather than genre) without it getting me into trouble.
PLEASE HELP, I AM LOSING IT HERE.
The first should have us reffering to our texts in order to assert how they have conformed or subverted the conventions of the CF genre. Then we should talk about the vehicle of CF allowing other focii to be explored due to the use (or rejection) of these conventions. This focus is ussually on the society depicted in the text or at least elements of society. (am i right here, what else could it be on?) So i think we need to talk about the CF Genre and its conventions that are used to portray a society???
Assuming this is correct though i am faced with a problem when moving on to the second question which is focused on Genre as a whole.
If faced with a question similar to the CSHAA (I think) trial : Discuss the Validity of Genre, then my plan of attack (from a CF perspective [is it wrong to focus on it from this way] would revolve around the idea that the validity of genre cant be ensured due to the ever changing nature of its conventions and rules. I go on to elaborate that this constant change or adaption is caused by the genre's need to avoid "literary stagnancy" and also appeal to an audience of a modern context. I talk about the following ideas:
-Dupin and Holmes as the first detectives. How their use of logic and reasoning reflected the victorian belief's of the era: that logic, deduction and science could solve problems.
-The development of this style into Christie's Cosi school; the creation of middle class "Closed World" societies upset by and outsider very much reflects both her own middle class belief's but also those of the context of early 20th century Britain (where the books were written). Connect to The Real Inspector Hounds subversion of these values.
-The emergence of Hard Boiled crime fiction to portray an American society rife with Capitalistic intentions and Organised crime in early 20th century America. Having the moral knight in shining armour walking the streets as the lone resistance to corruption. Talk about The Big Sleep and Marlowe.
-Connect to Film Noir, constructed in the era of both world wars and the depression which gives the texts their cynical, dark and shadowy feel.
-Talk about emergence of Black, female detectives as society progresses into post-modern, equality views relate to Smilla's Feeling For Snow.
So in essence I'm saying the constant change in society and the need of Genre to continue adapting to that society means that Genre as a concept can never be completely valid although the adaptions will share some common elements. (is this ok?)
Thats the essay plan but the problem is this. If we get a question based around society in Q1 as i believe we will, wont the fact that i am focussing Q2 on society mean that i should just get out the carbon paper to save myself regurgitating the same essay twice? I'm hoping that Q1's focus on the society within the text distinguishes it from Q2's discussion of external society, but i still think there are some very common links between the two. The only difference I can see is that in Q1 i will be focussing on the texts in alot more depth while in Q2 they will only be used to back up my argument on Genre.
The jist of my question is, can I write the essay that i just out lined above for Q2 and then talk about similar concerns with society in Q1 (albeit within the text and with a greater focus on the texts rather than genre) without it getting me into trouble.
PLEASE HELP, I AM LOSING IT HERE.