"The yew tree groaned in a wind that augured snow and birds sang in the higher branches to coax Eleanor from her shell of light. An aril fell at her feet and glistened in the dirt: the ruby yew berry was a last lure to linger at the fire. The yew itself was ancient, and its wood appeared to be of the same stone as the temple; from its shade and shelter, Eleanor walked forth into the opaque mist."
Out of context, I actually dislike it. :/ Overall, my major is not postmodern, except for slight intertextuality and magic realism--though I think it's pure fantasy.
Out of context, I actually dislike it. :/ Overall, my major is not postmodern, except for slight intertextuality and magic realism--though I think it's pure fantasy.
Conflict is king; unhappy stories have obvious conflict. 99% (statistic may not be accurate) of extension 2 writers have not matured their voice, and they know how to be unhappy. Write what you know. There's also the idea that markers like it, which I don't think is true--but I don't think that they expect Year 12s to write like Pratchett/Atwood/Parker, etc.I just wonder why like... 99% of all the short stories have to be like that though... nothing bright and happy!