Throughout the text, the concept of physical journey is highly saturated within the protagonists' struggle to search for their home. During the process, they come across many discoveries about other culture, their own spirituality and their indivisible bond with land and kinship group.
In the scene of a forced removal of the Aboriginal girls: Molly, Daisy and Gracie, the responders witness how the new course of their life is forced upon them. The film director, Phillip Noyce employs limited dialogue to promote action within the scene and the high-angle camera shots present the government worker as a symbol of higher authority. It is also ironic to see the government employer to show off the government-approved paper as his "weapon".
Soon afterwards, these girls are taken by a car to the Christian missionary that is about 1500km distant from their home. The aerial shot of the Australian outback shows the vastness of the journey that is being undertaken.
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